清晨，茫茫草地上，一位年青女战士采摘下一束洁白的野花献给了一座新坟，悲戚使她沉入对战友的哀思和缅怀……1946年秋，部队为反击敌人向解放区的进犯，决定攻打敌人占领的某县城。文工团员鲁兰被派到前沿包扎所协助工作，她在途中遇到位刚刚离开医院为参加总攻赶赴部队的小战士，他们恰好同去一个村庄。开始，鲁兰对这个态度冷淡、还挺封建的小战士感到生气，可当她渐渐了解到小战士那憨厚质朴的性格以后，便对他有了好感。原来他们还是同乡呢。他们到达了目的地，部队已经开赴前线。鲁兰请小战士同她一起到老乡家去为包扎所借被子，本来就腼腆害羞、怕同女同志打交道的小战士，偏偏又来到刚过门三天的新媳妇荷花家，笨嘴拙舌的小战士没借到被子弄得挺不自在。还是文工团员会做群众工作，鲁兰三言两语就把被子借来了。鲁兰和小战士打开被子一看，竟是一床精心刺绣着百合花的漂亮被子。他们听邻居大婶介绍，才知道这是被还乡团杀害了双亲的那位新媳妇自个儿辛辛苦苦置办的嫁妆。小战士觉得自己太冒失了，坚持要把被子送回去，新媳妇却坚决不肯收下，两个人推推让让，嘶啦一下，小战士的军装被篱笆剐破了一个口子，这使新媳妇心里很能是不安。总攻打响了，小战士带着村里的担架队迅速开往前线投入了激烈的战斗。鲁兰同新媳妇荷花也在包扎所紧张地接待和照顾伤员。部队胜利地攻入县城。战斗接近尾声。就在这时，担架队抬来一个生命垂危的重伤员，鲁兰和荷花发现，他就是那位腼腆的小战士，他是为了掩护担架队几十人的生命，被敌人罪恶的子弹打中的。小战士牺牲了，新媳妇满含热泪，一针针、一线线，缝好小战士军装上外露着的破口，庄重地把那床绣着百合花的新婚被子，盖在这位普通的、不知姓名的小战士身上……

女主人公心兰是一名离婚的年轻女性，她独立抚养一个近乎失明的弱视儿小刚。在找房子时认识了邻居亚夫，而亚夫是一名洗心革面改过自新的出狱的黑帮老大助手，做面馆生意为生。他们彼此照应，守望相助，进而培养出一段感情。心兰常在工作之余帮亚夫照顾患有老年痴呆症的老爹，而亚夫也在心兰工作时 代为照顾她的弱视儿小刚，并和小刚之间培养出情同父子般的感情。心兰偶然跟前夫也就是小刚的生父重逢，小刚的存在被前夫母子发现。而在小刚急需治疗眼睛的时刻，亚夫欲舍弃自己的感情，促使心爱的女人和多年的养子回到前夫身边，他深知自己的条件不足以给他们一个美好的未来和一份安逸的生活。小刚的眼睛不幸未痊愈，而心兰也早已对亚夫产生了不能自拔的爱情。小刚无法离开相处已久的老爹和养父。最终，心兰和小刚回到了亚夫身边。

女主人公心兰是一名离婚的年轻女性，她独立抚养一个近乎失明的弱视儿小刚。在找房子时认识了邻居亚夫，而亚夫是一名洗心革面改过自新的出狱的黑帮老大助手，做面馆生意为生。他们彼此照应，守望相助，进而培养出一段感情。心兰常在工作之余帮亚夫照顾患有老年痴呆症的老爹，而亚夫也在心兰工作时 代为照顾她的弱视儿小刚，并和小刚之间培养出情同父子般的感情。心兰偶然跟前夫也就是小刚的生父重逢，小刚的存在被前夫母子发现。而在小刚急需治疗眼睛的时刻，亚夫欲舍弃自己的感情，促使心爱的女人和多年的养子回到前夫身边，他深知自己的条件不足以给他们一个美好的未来和一份安逸的生活。小刚的眼睛不幸未痊愈，而心兰也早已对亚夫产生了不能自拔的爱情。小刚无法离开相处已久的老爹和养父。最终，心兰和小刚回到了亚夫身边。

天真可爱的小女孩（Irene Starewicz 饰）在丛林中采蘑菇，偶然发现一株白色的百合花。她将百合带回家中，请求博学的爷爷（Jan Wichniekski 饰）为她讲述关于比利时百合花的故事。慈祥的爷爷抱起心爱的孙女，开始讲述：很久很久以前，百合花在一条小溪旁尽情开放，周围草虫飞舞，鸟语花香，一派祥和景象。 　　某个夜晚，邪恶的甲壳虫军队企图向小溪附近扩张，他们浩浩荡荡杀向这片宁静的土地。勇敢的百合花阻挡了入侵者的去路，但在敌人的猛攻之下，它最终倒地身亡…… 　　导演Wladyslaw Starewicz，被称为停格动画的先锋。

影片描写了地位低下的黑人青年霍默．史密斯，热心帮助一些逃难的东德修女，并答应为她们修建一座小礼拜堂……从而展示了他的人性美。本片触及全美最敏感的神经——黑人问题，一开始就显得不同反响。还有波蒂埃细腻的表演更引人注目，赢得36届奥斯卡最佳男主角奖，跻身于好莱坞超级影星的行列。

影片描写了地位低下的黑人青年霍默．史密斯，热心帮助一些逃难的东德修女，并答应为她们修建一座小礼拜堂……从而展示了他的人性美。本片触及全美最敏感的神经——黑人问题，一开始就显得不同反响。还有波蒂埃细腻的表演更引人注目，赢得36届奥斯卡最佳男主角奖，跻身于好莱坞超级影星的行列。

Two ex-soldiers search for stability and love when they return home after World War One. 　　-------------------------------------------- 　　史上最强东欧魔幻现实主义电影杰作之一。 　　The second and last full-lenght feature film ‘Wild Lilies’by Elo Havetta ranks among the most remarkable works of Slovak cinematography. It is an artistic paraphrase of the literary work of Vincent Sikula. The main charcters are veterans retrurning from WWI who want to find a home ans settle down. However, equally strong is their desire for freedom and the life of a tramp. 　　Elo Havetta (1938-1975) 　　He graduated at the School of Industrial Arts in Bratislava in 1957. At the break of the fifties and the sixties he iniciated several original projects ( Theatre of pictures) and as a result, he´d attracted and organized a group of young artists from various art fields. Havetta was a prose writer, photographer, worked as an editor in visual arts magazine, as a graphic designer, etc. Since the beginning of his studies at FAMU (Film Academy of Musical Arts in Prague) in 1961, cinema became his major interest. It was mainly due to the fact that he believed it was the only means through which his personal feelings and experience could be transformed, intermingling with other art disciplines. Havetta attended the Academy in a relatively fortunate period of relaxed creative atmosphere and according to his professor Karol Kachyna (significant Czech film director) his appearance soon became the most distinguished in the course. 　　But eventhough he managed to attract wider attention already with his school work, after he returned to Slovakia, there was no room for him in major film studios producing film those days - Koliba. And so in 1967 he participated in creation of diapolyekran at EXPO ´67 (exhibition of....) and between 1967 and 1968 he worked as visual arts magazine editor in Smena. He managed to get through in Koliba only later, in 1968, however he has completed only two full-length feature films: A Celebration in a the Botanical Garden and Wild Lilies. Both these titles have become jewles of Slovak cinematography. Through these films playfulness, improvisation and spontaneity got through into the Slovak cinema. 　　Screening of the latter at IFF Venice in however didn´t bring fame for Havetta, on the contrary it launched a definite prohibition of his work produced in Koliba studios. Since then, all the way through untill the moment of his premature death Havetta worked only for the Czechoslovak television in studio producing programmes for youth. At the occasion of Days of Slovak and Czech Film in 1990, he was presented a Life-long Creativity Award in memoriam.

上伊那ぼたんは20歳の大学生。 　　入った寮の歓迎パーティで寮長のいぶきにハイボールを飲ませてもらうと酔った勢いでいぶきに絡み始めて・・・? 　　酔っ払いいちゃいちゃガールズコメディ開幕！

上伊那ぼたんは20歳の大学生。 　　入った寮の歓迎パーティで寮長のいぶきにハイボールを飲ませてもらうと酔った勢いでいぶきに絡み始めて・・・? 　　酔っ払いいちゃいちゃガールズコメディ開幕！

过板车工人聂福祥和严慧、郑秀兰两个女人之间的爱情故事以及这两个女人和另外两个男人苏冉、海旺之间的感情纠葛，热情歌颂了中华民族重感情讲诚信的传统美德，用他们的人格魅力诠释了人和人之间的交往离不开真情，唯有真情才能为金石所开这样一个主题。